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    <title>obvious</title>
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   <id>tag:obviousmag.org,2011://2</id>
    <updated>2012-05-17T03:50:55Z</updated>
    <subtitle>Um olhar mais demorado...</subtitle>
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	    		<title><![CDATA[JOGO: FENÔMENO ESTÉTICO]]></title>
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				<id>tag:obviousmag.org,2012://116.1629</id>
				<published>2012-05-16T20:10:56Z</published>
   	 		<updated>2012-05-16T20:10:56Z</updated>
   	 		<author>
	   	     		<name>Danilo Baldacini</name>
					<uri>http://lounge.obviousmag.org/nome/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/nome/2012/05/jogo-fenomeno-estetico.html"&gt;&lt;img src="http://lounge.obviousmag.org/nome/assets_c/2012/05/sonic-the-hedgehog-2-thumb-400x400-13581.jpg" title="JOGO: FENÔMENO ESTÉTICO"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Richard Wagner expandiu os limites da excelência na ópera porque tentava incorporar o melhor de todas as expressões artísticas em apresentações que exigem total entrega do público. Os jogos de computador e de vídeo acabaram tomando a frente desse ambicioso projeto de fusão das artes, e alguns dão sinais de estarem próximos a "magnum opus".&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/nome/2012/05/jogo-fenomeno-estetico.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Genialidade e Loucura, dois lados da mesma moeda?]]></title>
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				<id>tag:obviousmag.org,2012://137.1626</id>
				<published>2012-05-16T20:10:56Z</published>
   	 		<updated>2012-05-16T20:10:56Z</updated>
   	 		<author>
	   	     		<name>Gerson Avillez</name>
					<uri>http://lounge.obviousmag.org/esquina_do_obvio/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/esquina_do_obvio/2012/05/genialidade-e-loucura-dois-lados-da-mesma-moeda.html"&gt;&lt;img src="http://lounge.obviousmag.org/esquina_do_obvio/assets_c/2012/05/cerebro-thumb-400x400-13566.jpg" title="Genialidade e Loucura, dois lados da mesma moeda?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Que a genialidade cruza-se com o excentricismo todos sabem, porém, seu flerte com a loucura e outros problemas mentais pode ser mais próximos do que aparenta.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/esquina_do_obvio/2012/05/genialidade-e-loucura-dois-lados-da-mesma-moeda.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[BUREL MANTEIGAS]]></title>
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				<id>tag:obviousmag.org,2012://242.1628</id>
				<published>2012-05-16T20:10:56Z</published>
   	 		<updated>2012-05-16T20:10:56Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/burel-manteigas.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/burel%20manteigas%20para%20design%20em%20lisboa%20e%20the%20lisbon%20stores%20%281%29-thumb-400x400-13585.jpg" title="BUREL MANTEIGAS"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Trabalho manual em lã na Burel Manteigas O Burel Manteigas é um de dois projectos da empresa Saberes e Fazeres da Vila de Manteigas, que nasceu com o objectivo de revitalizar o valor das riquezas tradicionais para que não fossem esquecidas mas reinventadas de forma dinâmica e inovadora. Foi criado na última fábrica de lanifícios da Vila de Manteigas um espaço de design e produção do burel, o tecido de [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/burel-manteigas.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Cecília Meireles sobre os conselhos de Rilke]]></title>
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				<id>tag:obviousmag.org,2012://32.1631</id>
				<published>2012-05-16T20:10:55Z</published>
   	 		<updated>2012-05-16T20:10:55Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/cecilia-meireles-sobre-os-conselhos-de-rilke.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/rilke-thumb-400x400-13594.jpg" title="Cecília Meireles sobre os conselhos de Rilke"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Belas palavras de Cecília Meireles sobre as belas palavras do grande poeta alemão Rilke.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/cecilia-meireles-sobre-os-conselhos-de-rilke.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/cecilia-meireles-sobre-os-conselhos-de-rilke.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Críticas-rapidinhas: Cactus, Jimmy Cliff e Chris Isaak]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/TPbFL6DYPKk/criticas-rapidinhas-cactus-jimmy-cliff-e-chris-isaak.html" />
				<id>tag:obviousmag.org,2012://78.1630</id>
				<published>2012-05-16T20:10:55Z</published>
   	 		<updated>2012-05-16T20:10:55Z</updated>
   	 		<author>
	   	     		<name>Caio Carvalho</name>
					<uri>http://lounge.obviousmag.org/a_telha/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/a_telha/2012/05/criticas-rapidinhas-cactus-jimmy-cliff-e-chris-isaak.html"&gt;&lt;img src="http://lounge.obviousmag.org/a_telha/assets_c/2012/05/Cactus%20-%20Front-thumb-400x400-13588.jpg" title="Críticas-rapidinhas: Cactus, Jimmy Cliff e Chris Isaak"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Três críticas rápidas para quem está com pressa... Ou para quem curte uma rapidinha.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/a_telha/2012/05/criticas-rapidinhas-cactus-jimmy-cliff-e-chris-isaak.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O espaço de Pina Bausch]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/qwrHLlSEVgk/o-espaco-de-pina-bausch.html" />
				<id>tag:obviousmag.org,2012://110.1625</id>
				<published>2012-05-16T17:30:54Z</published>
   	 		<updated>2012-05-16T17:30:54Z</updated>
   	 		<author>
	   	     		<name>Anna Carvalho</name>
					<uri>http://lounge.obviousmag.org/escrever_com_a_luz/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/escrever_com_a_luz/2012/05/o-espaco-de-pina-bausch.html"&gt;&lt;img src="http://lounge.obviousmag.org/escrever_com_a_luz/assets_c/2012/05/Captura%20de%20tela%202012-05-15%20%C3%A0s%2021.04.06-thumb-400x400-13563.png" title="O espaço de Pina Bausch"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Pina Bausch era espaços. Win Wenders, em seu documentário sobre a bailarina e coreógrafa, explora os espaços de Pina, que transcendem o palco.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/escrever_com_a_luz/2012/05/o-espaco-de-pina-bausch.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Pollock: um homem no centro de sua tela]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/uRoV4-rgoM4/pollock_um_homem_no_centro_de_sua_tela.html" />
				<id>tag:obviousmag.org,2012://2.5353</id>
				<published>2012-05-16T13:11:06Z</published>
   	 		<updated>2012-05-16T13:11:06Z</updated>
   	 		<author>
	   	     		<name>carolina carmini</name>
					<uri>http://obviousmag.org</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/pollock_um_homem_no_centro_de_sua_tela.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/14/00_The_She_Wolf_1943_MoMA_00.jpg" title="Pollock: um homem no centro de sua tela"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Em 2012 completam-se 100 anos do nascimento de Jackson Pollock, um dos mais importantes pintores norte-americanos. Apesar de sua fama e reconhecimento, Pollock sempre foi alvo de críticas pelos que não conseguem lidar com uma arte extremamente provocativa - inclusive na atualidade. A obra de Pollock não fica apenas para a história da criação artística, mas também para a história da forma como encaramos as obras de arte deste último século. &lt;/p&gt;
				
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				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2007/08/fotografia_a_pr.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/fotografia_a_pr_140x105.jpg" title="Fotografia a preto e branco" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2005/10/garard_schneide.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2005/10/garard_schneide_140x105.jpg" title="Gérard Schneider" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2011/11/8_anos_de_obvious.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/11/8_anos_de_obvious_140x105.jpg" title="8 anos de obvious" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/12/the_gum_wall.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/12/the_gum_wall_140x105.jpg" title="The Gum Wall: uma atracção turística "mastigada"" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2007/08/fotografia_a_pr.html" title="Clique para ler este artigo" &gt;Fotografia a preto e branco&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2005/10/garard_schneide.html" title="Clique para ler este artigo" &gt;Gérard Schneider&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2011/11/8_anos_de_obvious.html" title="Clique para ler este artigo" &gt;8 anos de obvious&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/12/the_gum_wall.html" title="Clique para ler este artigo" &gt;The Gum Wall: uma atracção turística "mastigada"&lt;/a&gt;&lt;br /&gt;
		
				
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&lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=uRoV4-rgoM4:xd4PoKUEEtc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=uRoV4-rgoM4:xd4PoKUEEtc:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=uRoV4-rgoM4:xd4PoKUEEtc:I9og5sOYxJI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=I9og5sOYxJI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
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			<entry>
	    		<title><![CDATA[E se os super-heróis também envelhecessem?]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/PVz-lUimyw4/e-se-os-super-herois-tambem-envelhecessem.html" />
				<id>tag:obviousmag.org,2012://27.1627</id>
				<published>2012-05-16T12:10:55Z</published>
   	 		<updated>2012-05-16T12:10:55Z</updated>
   	 		<author>
	   	     		<name>diana ribeiro</name>
					<uri>http://lounge.obviousmag.org/diana_ribeiro/autor</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/e-se-os-super-herois-tambem-envelhecessem.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/SUPERMAN-thumb-300x300-13567.jpg" title="E se os super-heróis também envelhecessem?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O designer e ilustrador italiano Donald Soffritti respondeu a esta questão com muito humor.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/e-se-os-super-herois-tambem-envelhecessem.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/PVz-lUimyw4" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/sphere/2012/05/e-se-os-super-herois-tambem-envelhecessem.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Os deuses devem estar moucos]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/O2h6tuKOFFg/os-deuses-devem-estar-moucos.html" />
				<id>tag:obviousmag.org,2012://232.1623</id>
				<published>2012-05-15T21:10:55Z</published>
   	 		<updated>2012-05-15T21:10:55Z</updated>
   	 		<author>
	   	     		<name>Sofia Pires Lopes</name>
					<uri>http://lounge.obviousmag.org/a_boleia_da_ideia/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/a_boleia_da_ideia/2012/05/os-deuses-devem-estar-moucos.html"&gt;&lt;img src="http://lounge.obviousmag.org/a_boleia_da_ideia/assets_c/2012/05/mito_pan_gu-thumb-400x400-13547.jpg" title="Os deuses devem estar moucos"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;BIIIIIP. “Alô, Deus? Daqui é a Sofia. Não atendes...? OK, já percebi que não estás por aí. Sabes como odeio deixar mensagem... Oh, que tolice, claro que sabes. Queria pedir-te uma coisinha rápida. Podes ligar-me quando ouvires isto? Fico à espera. Até já!”.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/a_boleia_da_ideia/2012/05/os-deuses-devem-estar-moucos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/O2h6tuKOFFg" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/a_boleia_da_ideia/2012/05/os-deuses-devem-estar-moucos.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[NOFRAMES]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/yBlijIIwj9Q/noframes.html" />
				<id>tag:obviousmag.org,2012://242.1622</id>
				<published>2012-05-15T21:10:55Z</published>
   	 		<updated>2012-05-15T21:10:55Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/noframes.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/Maple-Sinatra_2-thumb-400x400-13555.jpg" title="NOFRAMES"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Peças antigas com modernas fotografias é com a NOFRAMES NOFRAMES.net é um projecto artístico desenvolvido por dois fotógrafos que ultrapassam a fronteira das molduras, e que raramente saem à rua sem uma máquina fotográfica. Aplicam as suas fotografias, ou outras intervenções antigas como neons, em peças de mobiliário antigo, que anteriormente são recuperadas por artesãos. Ter uma peça NOFRAMES representa mais do que ter uma fotografia, ou um objecto de [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/noframes.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/yBlijIIwj9Q" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/the_lisbon_stores/2012/05/noframes.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Agora]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/5MBYcWHMnRw/agora.html" />
				<id>tag:obviousmag.org,2012://67.1620</id>
				<published>2012-05-15T20:20:55Z</published>
   	 		<updated>2012-05-15T20:20:55Z</updated>
   	 		<author>
	   	     		<name>Beatriz Noronha</name>
					<uri>http://lounge.obviousmag.org/2_doses_de_delirio_e_3_baldes_dagua/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/2_doses_de_delirio_e_3_baldes_dagua/2012/05/agora.html"&gt;&lt;img src="http://lounge.obviousmag.org/2_doses_de_delirio_e_3_baldes_dagua/assets_c/2012/05/527867_392262880805543_100000655042644_1224732_1075785378_n-thumb-400x400-13542.jpg" title="Agora"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Dos instantes...&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/2_doses_de_delirio_e_3_baldes_dagua/2012/05/agora.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/5MBYcWHMnRw" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/2_doses_de_delirio_e_3_baldes_dagua/2012/05/agora.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[No limite da mentira - O retorno de um passado heróico]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/86ZeN1AptSw/no-limite-da-mentira---o-retorno-de-um-passado-heroico.html" />
				<id>tag:obviousmag.org,2012://189.1621</id>
				<published>2012-05-15T20:20:55Z</published>
   	 		<updated>2012-05-15T20:20:55Z</updated>
   	 		<author>
	   	     		<name>Lynn Francis Colling</name>
					<uri>http://lounge.obviousmag.org/pelicula_criativa/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/pelicula_criativa/2012/05/no-limite-da-mentira---o-retorno-de-um-passado-heroico.html"&gt;&lt;img src="http://lounge.obviousmag.org/pelicula_criativa/assets_c/2012/05/No%20limite%20da%20mentira%20-%20resenha%203-thumb-400x400-13544.jpg" title="No limite da mentira - O retorno de um passado heróico"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Remake da produção israelita “Ha-Hov”, o filme dirigido por John Madden circula pelos limites de uma simples história de heroísmo e a sombra que ela pode causar na vida das pessoas envolvidas. Escrito por Matthew Vaughn, Jane Goldman e Peter Straughan, “No Limite da Mentira” viaja entre dois períodos de tempo, com um suspense crescente envolvendo a delicada operação da Mossad na Alemanha, dividida após a 2ª Guerra Mundial.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/pelicula_criativa/2012/05/no-limite-da-mentira---o-retorno-de-um-passado-heroico.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/pelicula_criativa/2012/05/no-limite-da-mentira---o-retorno-de-um-passado-heroico.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Gary Brewer: natureza em detalhe]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/OOON2CQrbxk/gary-brewer-natureza-em-detalhe.html" />
				<id>tag:obviousmag.org,2012://27.1619</id>
				<published>2012-05-15T18:20:55Z</published>
   	 		<updated>2012-05-15T18:20:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/gary-brewer-natureza-em-detalhe.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/gary_brewer_02-thumb-300x300-13516.jpg" title="Gary Brewer: natureza em detalhe"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; O artista Gary Brewer pinta formas naturais que misturam design e fantasia, resultando em traços surrealistas e detalhados. Sua arte expressa certa extravagância da natureza, tais como orquídeas, líquenes, corais e esponjas, expressando sua admiração pela complexidade da teia da vida. Inspirado pela idéia de "biofilia", como uma empatia com todas as coisas vivas, seu trabalho é movido por um sentimento de intimidade e de identificação pessoal com o [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/gary-brewer-natureza-em-detalhe.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[DUMA]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/QwFBqevzNTM/duma.html" />
				<id>tag:obviousmag.org,2012://242.1611</id>
				<published>2012-05-15T17:40:56Z</published>
   	 		<updated>2012-05-15T17:40:56Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/duma.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/Breaking%20Rules%20netGD-thumb-400x400-13466.jpg" title="DUMA"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; O feminino na arte de Duma No ano de 1973 em Lisboa nascia Duma. Quase quarenta anos passados temos entre nós uma artista plástica portuguesa conhecida em território nacional e internacional. Atualmente vive e trabalha em Oeiras, depois de se ter formado em Publicidade pelo IADE – Instituto de Artes Visuais, Design &amp;amp; Marketing e frequentado os cursos de Desenho e de Pintura da Sociedade Nacional de Belas Artes [...]&lt;/p&gt;
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/QwFBqevzNTM" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/the_lisbon_stores/2012/05/duma.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Os Inocentes]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/8u3wQnUo8Ro/os-inocentes.html" />
				<id>tag:obviousmag.org,2012://247.1617</id>
				<published>2012-05-15T17:40:56Z</published>
   	 		<updated>2012-05-15T17:40:56Z</updated>
   	 		<author>
	   	     		<name>Júlio Assis Ribeiro</name>
					<uri>http://lounge.obviousmag.org/a_lente_lenta/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/a_lente_lenta/2012/05/os-inocentes.html"&gt;&lt;img src="http://lounge.obviousmag.org/a_lente_lenta/assets_c/2012/05/Taryn_Simon_Charles_Irvin_Fain_local_do_crime_2002-thumb-400x400-13486.jpg" title="Os Inocentes"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A fotógrafa norte-americana Taryn Simon realizou uma série de imagens, intitulada "The Innocents", partindo da constatação de que a Fotografia pode ter um efeito perverso quando utilizada como meio de investigação criminal.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/a_lente_lenta/2012/05/os-inocentes.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Em memória de Yumi Faraci]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/1MXciM4cYFk/em-memoria-de-yumi-faraci.html" />
				<id>tag:obviousmag.org,2012://87.1615</id>
				<published>2012-05-15T17:40:56Z</published>
   	 		<updated>2012-05-15T17:40:56Z</updated>
   	 		<author>
	   	     		<name>Victor Silveira</name>
					<uri>http://lounge.obviousmag.org/embriaguez_artistica/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/em-memoria-de-yumi-faraci.html"&gt;&lt;img src="http://lounge.obviousmag.org/embriaguez_artistica/assets_c/2012/05/Yumi%20Faraci-thumb-400x400-13482.jpg" title="Em memória de Yumi Faraci"&gt;&lt;/a&gt;&lt;br /&gt;
					Esse texto é de alguns anos atrás. Não sou mais o mesmo desde que escrevi. Todavia, a história de Yumi continua à me falar de forma especial. Republico, na esperança de que fale algo a alguém. 
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/em-memoria-de-yumi-faraci.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/embriaguez_artistica/2012/05/em-memoria-de-yumi-faraci.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Desenho]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/PmEdgSb72fI/desenho.html" />
				<id>tag:obviousmag.org,2012://32.1613</id>
				<published>2012-05-15T17:40:56Z</published>
   	 		<updated>2012-05-15T17:40:56Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/desenho.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/carrossel%5B1%5D-thumb-400x400-13478.jpg" title="Desenho"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Resgate de um poema antigo (bem, nem tanto...).&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/desenho.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/PmEdgSb72fI" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/desenho.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Amarelo-Budapeste]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/OXGWROpu2yQ/amarelo-budapeste.html" />
				<id>tag:obviousmag.org,2012://175.1618</id>
				<published>2012-05-15T17:40:56Z</published>
   	 		<updated>2012-05-15T17:40:56Z</updated>
   	 		<author>
	   	     		<name>Rafaela Freitas</name>
					<uri>http://lounge.obviousmag.org/um_pato_nao_e_uma_janela/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/um_pato_nao_e_uma_janela/2012/05/amarelo-budapeste.html"&gt;&lt;img src="http://lounge.obviousmag.org/um_pato_nao_e_uma_janela/assets_c/2012/05/Budapeste1-thumb-400x400-13507.jpg" title="Amarelo-Budapeste"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Budapeste é cidade do passado, incorrupta, cheia de si. E em si tem uma cor apenas.  &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/um_pato_nao_e_uma_janela/2012/05/amarelo-budapeste.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Ações e reações pelas lentes de Tom Robinson]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/TIfT5FOOb2c/acoes_e_reacoes_pelas_lentes_de_tom_robinson.html" />
				<id>tag:obviousmag.org,2012://2.5409</id>
				<published>2012-05-15T13:11:01Z</published>
   	 		<updated>2012-05-15T13:11:01Z</updated>
   	 		<author>
	   	     		<name>petit gabi</name>
					<uri>http://obviousmag.org/archives/colaboradores/gabrielasilva</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/acoes_e_reacoes_pelas_lentes_de_tom_robinson.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/14/00_Stephanie_e_William_pais_de_Tom_00.jpg" title="Ações e reações pelas lentes de Tom Robinson"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Se não existisse a fotografia, a única maneira de guardar um momento vivido seria através das lembranças. E uma foto é a forma mais incrível de registrar momentos que não voltam mais. Pensando nisso, Tom Robinson saiu pelo mundo e resolveu registrar todos os seus momentos, experiências, ações e mais as reações das pessoas com quem se cruzava. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/acoes_e_reacoes_pelas_lentes_de_tom_robinson.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2007/08/viagens_14_o_re.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/viagens_14_o_re_140x105.jpg" title="Viagens #14: o Rei dos Cromos da Fotografia" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/05/vietname.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/05/vietname_140x105.jpg" title="Vietname" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/04/os_rostos_de_ma.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/04/os_rostos_de_ma_140x105.jpg" title="Os rostos de Manuel Librodo" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2012/01/o_enigma_de_cristovao_colombo.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2012/01/o_enigma_de_cristovao_colombo_140x105.jpg" title="O enigma de Cristóvão Colombo" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2007/08/viagens_14_o_re.html" title="Clique para ler este artigo" &gt;Viagens #14: o Rei dos Cromos da Fotografia&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/05/vietname.html" title="Clique para ler este artigo" &gt;Vietname&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/04/os_rostos_de_ma.html" title="Clique para ler este artigo" &gt;Os rostos de Manuel Librodo&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2012/01/o_enigma_de_cristovao_colombo.html" title="Clique para ler este artigo" &gt;O enigma de Cristóvão Colombo&lt;/a&gt;&lt;br /&gt;
		
				
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			<feedburner:origLink>http://obviousmag.org/archives/2012/05/acoes_e_reacoes_pelas_lentes_de_tom_robinson.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[O Artista Preso Na Garganta]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/EWPkEr_Ebl4/o-artista-preso-na-garganta.html" />
				<id>tag:obviousmag.org,2012://209.1609</id>
				<published>2012-05-14T21:10:55Z</published>
   	 		<updated>2012-05-14T21:10:55Z</updated>
   	 		<author>
	   	     		<name>Thiago Lira</name>
					<uri>http://lounge.obviousmag.org/cinema_shots/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/cinema_shots/2012/05/o-artista-preso-na-garganta.html"&gt;&lt;img src="http://lounge.obviousmag.org/cinema_shots/assets_c/2012/05/2011_the_artist_001-thumb-400x400-13427.jpg" title="O Artista Preso Na Garganta"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Todo o artista é gutural, de Poe a Kurt Cobain.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/cinema_shots/2012/05/o-artista-preso-na-garganta.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/EWPkEr_Ebl4" height="1" width="1"/&gt;</content>
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			<entry>
	    		<title><![CDATA[Fluidos coloridos: um jogo excitante e criativo de formas e cores]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/F8LzVDJVqeU/fluidos-coloridos-um-jogo-excitante-e-criativo-de-formas-e-cores.html" />
				<id>tag:obviousmag.org,2012://27.1610</id>
				<published>2012-05-14T21:00:55Z</published>
   	 		<updated>2012-05-14T21:00:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/fluidos-coloridos-um-jogo-excitante-e-criativo-de-formas-e-cores.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/6-thumb-300x300-13428.jpg" title="Fluidos coloridos: um jogo excitante e criativo de formas e cores"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O artista promove um campo específico de fotografias abstratas em que ele explora as possibilidades de suas expressões criativas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/fluidos-coloridos-um-jogo-excitante-e-criativo-de-formas-e-cores.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O que você tem na sua cabeça?]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/xPTbO8U91Zg/o-que-voce-tem-na-sua-cabeca.html" />
				<id>tag:obviousmag.org,2012://27.1608</id>
				<published>2012-05-14T19:30:54Z</published>
   	 		<updated>2012-05-14T19:30:54Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/o-que-voce-tem-na-sua-cabeca.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/brain10-thumb-400x400-13403.jpg" title="O que você tem na sua cabeça?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; A artista Sara Asnaghi, de Milão, criou uma série de esculturas do cérebro - "what have you got in your head?" - usando uma diversidade de alimentos. A inusitada série é um exercício lúdico de diferentes texturas e cores. Confira. [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/o-que-voce-tem-na-sua-cabeca.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[TOM TOM SHOP]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/GBPmr15uXkU/tom-tom-shop.html" />
				<id>tag:obviousmag.org,2012://242.1606</id>
				<published>2012-05-14T17:30:55Z</published>
   	 		<updated>2012-05-14T17:30:55Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/tom-tom-shop.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/tom%20tom%20shop%20para%20design%20em%20lisboa%20%283%29-thumb-400x400-13397.jpg" title="TOM TOM SHOP"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; Uma loja como não se espera encontrar em Lisboa ou em qualquer outra parte da Europa. Mais de 350 metros quadrados de objectos coloridos, uns úteis outros muito inúteis, para a casa, decoração, acessórios de cozinha, e casa de banho. Uma grande diversidade de presentes, alguns politicamente incorrectos, para quem tem tudo e só precisa de uma boa gargalhada. Para as crianças também há uma grande selecção de produtos [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/tom-tom-shop.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[RUI SOUSA]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/bnJiNESKySQ/rui-s.html" />
				<id>tag:obviousmag.org,2012://242.1605</id>
				<published>2012-05-14T17:30:55Z</published>
   	 		<updated>2012-05-14T17:30:55Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/rui-s.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/376401_340291842650866_100000101598779_1493038_1777338843_n-thumb-400x400-13394.jpg" title="RUI SOUSA"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Desenhos artísticos e linguagens de Rui Sousa Rui Sousa nasceu em Valongo mas trabalha atualmente no Porto como artista plástico, num atelier próprio localizado na Rua Duque de Loulé, na cidade invicta. Mas amanhã pode já não o encontrar nesta morada visto que Rui Sousa está a mudar o espaço do seu atelier para a Rua de Almada, também no Porto, para um espaço aberto ao público e com venda [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/rui-s.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[SO TRUE]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/jYTrXKQdXA4/so-true.html" />
				<id>tag:obviousmag.org,2012://242.1604</id>
				<published>2012-05-14T17:30:55Z</published>
   	 		<updated>2012-05-14T17:30:55Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/so-true.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/so%20true%20para%20design%20em%20lisboa%20e%20the%20lisbon%20stores%20%2810%29-thumb-400x400-13391.jpg" title="SO TRUE"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;SO TRUE, uma homenagem à autenticidade do mobiliário por Carlos Faria O reconhecido designer Carlos Faria criou a SO TRUE com o objectivo ambicioso de se destacar no mobiliário de design, pretendendo contribuir de uma forma material para que a vida de cada cliente seja preenchida por uma extraordinária leveza e beleza. O valor da matéria-prima, os conceitos, a mão-de-obra qualificada e repleta de história, não descurando a inovação e [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/so-true.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[mais um dia ganho, de tantos perdidos]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/uqrzws2pE80/mais-um-dia-ganho-de-tantos-perdidos.html" />
				<id>tag:obviousmag.org,2012://131.1595</id>
				<published>2012-05-14T17:30:55Z</published>
   	 		<updated>2012-05-14T17:30:55Z</updated>
   	 		<author>
	   	     		<name>arxvis</name>
					<uri>http://lounge.obviousmag.org/arxvis/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/arxvis/2012/05/mais-um-dia-ganho-de-tantos-perdidos.html"&gt;&lt;img src="http://lounge.obviousmag.org/arxvis/assets_c/2012/05/obvious82-thumb-400x400-13400.jpg" title="mais um dia ganho, de tantos perdidos"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;a presença abrangente da vida em toda a sua glória - tanto perfume e regozijo - não impede nem contradiz essa mágoa. a vida é só um esconderijo pra gente brincar de aprendiz. lá fora não há trégua, aqui a gente sofre feliz &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/arxvis/2012/05/mais-um-dia-ganho-de-tantos-perdidos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[A fúria de Prometeu]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/j-G4dysxFrw/a-furia-de-prometeu.html" />
				<id>tag:obviousmag.org,2012://32.1607</id>
				<published>2012-05-14T17:30:55Z</published>
   	 		<updated>2012-05-14T17:30:55Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-furia-de-prometeu.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/prometeu-thumb-400x400-13401.jpg" title="A fúria de Prometeu"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;“Se me calo, não é por orgulho, ou desprêzo; mas o furor devora minha alma quando me vejo preso a esta rocha"...&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-furia-de-prometeu.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Nosotros - redescobrindo a América Latina]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/8uaQC49vJPY/nosotros_-_redescobrindo_a_america_latina.html" />
				<id>tag:obviousmag.org,2012://2.5386</id>
				<published>2012-05-14T14:00:57Z</published>
   	 		<updated>2012-05-14T14:00:57Z</updated>
   	 		<author>
	   	     		<name>jéssica parizotto</name>
					<uri>http://obviousmag.org/archives/colaboradores/jessicaparizotto/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/nosotros_-_redescobrindo_a_america_latina.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/14/00_Priscila_e_Victor_Mendonza_ARG_00" title="Nosotros - redescobrindo a América Latina"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A América Latina é o carnaval. É o folclore. É o samba e às vezes um samba do crioulo doido em que diversas culturas se misturam e tornam homogênea a nossa heterogeneidade. Verdadeiro ou falso? O projeto Nosotros procura a resposta em cada canto na nossa latinidade. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/nosotros_-_redescobrindo_a_america_latina.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2008/02/esculturas_com_2.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2008/02/esculturas_com_2_140x105.jpg" title="Esculturas com pastilha elástica" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/08/absolut_brasil.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/absolut_brasil_140x105.jpg" title="ABSOLUT Brasil - o legado de Andy Warhol" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/08/poemas_indecoro.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/poemas_indecoro_140x105.jpg" title="Poemas indecorosos de Olavo Bilac" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2011/11/8_anos_de_obvious.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/11/8_anos_de_obvious_140x105.jpg" title="8 anos de obvious" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2008/02/esculturas_com_2.html" title="Clique para ler este artigo" &gt;Esculturas com pastilha elástica&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/08/absolut_brasil.html" title="Clique para ler este artigo" &gt;ABSOLUT Brasil - o legado de Andy Warhol&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/08/poemas_indecoro.html" title="Clique para ler este artigo" &gt;Poemas indecorosos de Olavo Bilac&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2011/11/8_anos_de_obvious.html" title="Clique para ler este artigo" &gt;8 anos de obvious&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[A pena de Gil Vicente nas mãos do diabo]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/Kd7IOrxSUsQ/a-pena-de-gil-vicente-nas-maos-do-diabo.html" />
				<id>tag:obviousmag.org,2012://32.1598</id>
				<published>2012-05-14T02:40:57Z</published>
   	 		<updated>2012-05-14T02:40:57Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-pena-de-gil-vicente-nas-maos-do-diabo.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/Auto%2Bda%2BLusit%C3%A2nia%5B1%5D-thumb-400x400-13349.jpg" title="A pena de Gil Vicente nas mãos do diabo"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Versos de finos humor e ironia pelas mãos de Gil Vicente sobre a humanidade.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-pena-de-gil-vicente-nas-maos-do-diabo.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-pena-de-gil-vicente-nas-maos-do-diabo.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[A saga de George Lucas: Parte II]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/0DFgrKdUIxs/a-saga-de-george-lucas-parte-ii.html" />
				<id>tag:obviousmag.org,2012://204.1602</id>
				<published>2012-05-14T02:40:57Z</published>
   	 		<updated>2012-05-14T02:40:57Z</updated>
   	 		<author>
	   	     		<name>Mariana Dias</name>
					<uri>http://lounge.obviousmag.org/semiotizando/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/semiotizando/2012/05/a-saga-de-george-lucas-parte-ii.html"&gt;&lt;img src="http://lounge.obviousmag.org/semiotizando/assets_c/2012/05/george-lucas-death-star-thumb-400x400-13354.jpg" title="A saga de George Lucas: Parte II"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/semiotizando/2012/05/a-saga-de-george-lucas-parte-ii.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O Beijo Cubista]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/GEo2CzVRGJ4/o-beijo-cubista.html" />
				<id>tag:obviousmag.org,2012://215.1599</id>
				<published>2012-05-14T02:40:57Z</published>
   	 		<updated>2012-05-14T02:40:57Z</updated>
   	 		<author>
	   	     		<name>Larissa Couto</name>
					<uri>http://lounge.obviousmag.org/transfigurar/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/transfigurar/2012/05/o-beijo-cubista.html"&gt;&lt;img src="http://lounge.obviousmag.org/transfigurar/assets_c/2012/05/thekissPicasso1969-thumb-400x400-13350.jpg" title="O Beijo Cubista"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Uma quadro tão enigmático quanto "O Beijo", pintado por Picasso em 1969, merece um olhar mais demorado sobre sua personalidade cubista.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/transfigurar/2012/05/o-beijo-cubista.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/GEo2CzVRGJ4" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/transfigurar/2012/05/o-beijo-cubista.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Emily Brontë e seu único romance]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/St_Bjv3qTyg/emily_bronte_e_seu_unico_romance.html" />
				<id>tag:obviousmag.org,2012://2.5369</id>
				<published>2012-05-13T14:50:55Z</published>
   	 		<updated>2012-05-13T14:50:55Z</updated>
   	 		<author>
	   	     		<name>tiago andré vargas</name>
					<uri>http://obviousmag.org/archives/colaboradores/tiagovargas/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://obviousmag.org/archives/2012/05/emily_bronte_e_seu_unico_romance.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/12/00_Anne_Emily_Charlotte_Bronte_by_Branwel_00.jpg" title="Emily Brontë e seu único romance"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Clássico da literatura mundial, "O Morro dos Ventos Uivantes" (br) / "O Monte dos Vendavais" (pt) foi publicado em 1847 e se perpetua no tempo, filho único e prodígio da autora que contribuiu para o desabrochar de uma nova abordagem literária.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/emily_bronte_e_seu_unico_romance.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2011/04/brian_dettmer_-_escultura_com_livros.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/04/brian_dettmer_-_escultura_com_livros_140x105.jpg" title="brian dettmer - escultura com livros" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/07/jose_saramago_memorial_de_um_genio.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/07/jose_saramago_memorial_de_um_genio_140x105.jpg" title="José Saramago – memorial de um génio" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/08/qual_a_musica_que_te_define.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/08/qual_a_musica_que_te_define_140x105.jpg" title="qual a música que te define?" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/05/as_melhores_capas_da_penguin_em_livro.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/05/as_melhores_capas_da_penguin_em_livro_140x105.jpg" title="as melhores capas da Penguin em livro" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2011/04/brian_dettmer_-_escultura_com_livros.html" title="Clique para ler este artigo" &gt;brian dettmer - escultura com livros&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/07/jose_saramago_memorial_de_um_genio.html" title="Clique para ler este artigo" &gt;José Saramago – memorial de um génio&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/08/qual_a_musica_que_te_define.html" title="Clique para ler este artigo" &gt;qual a música que te define?&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/05/as_melhores_capas_da_penguin_em_livro.html" title="Clique para ler este artigo" &gt;as melhores capas da Penguin em livro&lt;/a&gt;&lt;br /&gt;
		
				
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			<feedburner:origLink>http://obviousmag.org/archives/2012/05/emily_bronte_e_seu_unico_romance.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[O cinematográfico Gregory Crewdson]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/ozVSk6fIKis/o-cinematografico-gregory-crewdson.html" />
				<id>tag:obviousmag.org,2012://203.1469</id>
				<published>2012-05-13T10:30:54Z</published>
   	 		<updated>2012-05-13T10:30:54Z</updated>
   	 		<author>
	   	     		<name>Bruno Assumpção</name>
					<uri>http://lounge.obviousmag.org/olho_sobre_tela/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/olho_sobre_tela/2012/05/o-cinematografico-gregory-crewdson.html"&gt;&lt;img src="http://lounge.obviousmag.org/olho_sobre_tela/assets_c/2012/05/gregory_crewdson_beneath_roses_4-thumb-400x400-12161.jpg" title="O cinematográfico Gregory Crewdson"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Gregory Crewdson é um artista que faz fotos que parecem saídas de filmes, com luz, dramaticidade e cenários especialmente preparados. Suas fotos são impressas em grande escala, como convém as fotografias contemporâneas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/olho_sobre_tela/2012/05/o-cinematografico-gregory-crewdson.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/ozVSk6fIKis" height="1" width="1"/&gt;</content>
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			<entry>
	    		<title><![CDATA[Lápis de cor é coisa de criança?!]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/hLwJeAf_eOM/lapis-de-cor-e-coisa-de-crianca.html" />
				<id>tag:obviousmag.org,2012://238.1583</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Helena Vilarinho</name>
					<uri>http://lounge.obviousmag.org/ponto_de_fuga/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/ponto_de_fuga/2012/05/lapis-de-cor-e-coisa-de-crianca.html"&gt;&lt;img src="http://lounge.obviousmag.org/ponto_de_fuga/assets_c/2012/05/Vestida_para_matar_by_mario_freire-thumb-400x400-13255.jpg" title="Lápis de cor é coisa de criança?!"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Quem disse que lápis de cor é coisa de criança estava muito enganado. Mário Freire encanta criando obras extraordinárias apenas com este simples material. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/ponto_de_fuga/2012/05/lapis-de-cor-e-coisa-de-crianca.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[“Um bosque entre Dois Mundos”]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/CDZ9tCmEpps/um-bosque-entre-dois-mundos.html" />
				<id>tag:obviousmag.org,2012://32.1586</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/um-bosque-entre-dois-mundos.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/narnia-thumb-400x400-13289.jpg" title="“Um bosque entre Dois Mundos”"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;C. S. Lewis e o poder da imaginação.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/um-bosque-entre-dois-mundos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[As mulheres de Godard: Uma crítica da sociedade patriarcal]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/Mw1ez6a7lSs/as-mulheres-de-godard-uma-critica-da-sociedade-patriarcal.html" />
				<id>tag:obviousmag.org,2012://246.1594</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Amanda Maciel Antunes</name>
					<uri>http://lounge.obviousmag.org/dossier/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/dossier/2012/05/as-mulheres-de-godard-uma-critica-da-sociedade-patriarcal.html"&gt;&lt;img src="http://lounge.obviousmag.org/dossier/assets_c/2012/05/tumblr_kstye56m821qzril8o1_500-thumb-400x400-13327.jpg" title="As mulheres de Godard: Uma crítica da sociedade patriarcal"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A mulher no cinema de Godard é a construção de uma crítica da política sexual que argumenta e permeia o sistema cinematográfico, e é produzido em um mundo comandado pela herança romântica pelo qual divide a mulher em duas partes: a aparência e a essência.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/dossier/2012/05/as-mulheres-de-godard-uma-critica-da-sociedade-patriarcal.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=Mw1ez6a7lSs:WsKO9NNWgNs:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=Mw1ez6a7lSs:WsKO9NNWgNs:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=Mw1ez6a7lSs:WsKO9NNWgNs:I9og5sOYxJI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=I9og5sOYxJI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/Mw1ez6a7lSs" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/dossier/2012/05/as-mulheres-de-godard-uma-critica-da-sociedade-patriarcal.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[marlene dumas: 'ver é uma forma de pensar']]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/ZZl9bNXRheI/marlene-dumas-ver-e-uma-forma-de-pensar.html" />
				<id>tag:obviousmag.org,2012://131.1565</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>arxvis</name>
					<uri>http://lounge.obviousmag.org/arxvis/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/arxvis/2012/05/marlene-dumas-ver-e-uma-forma-de-pensar.html"&gt;&lt;img src="http://lounge.obviousmag.org/arxvis/assets_c/2012/05/03-thumb-400x400-13100.jpeg" title="marlene dumas: 'ver é uma forma de pensar'"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;nascida na africa do sul e vivendo na holanda, &lt;strong&gt;marlene dumas&lt;/strong&gt; é uma pintora que no fim do século passado conseguiu criar sua linguagem própria, tanto nas diversas técnicas que usa (e/ou de-constrói), quanto na maneira como se aproxima de seu tema - seu 'sujeito', seu 'objeto'&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/arxvis/2012/05/marlene-dumas-ver-e-uma-forma-de-pensar.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=ZZl9bNXRheI:oOc5RlZW3vw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=ZZl9bNXRheI:oOc5RlZW3vw:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feed.obviousmag.org/~ff/OBVIOUS?a=ZZl9bNXRheI:oOc5RlZW3vw:I9og5sOYxJI"&gt;&lt;img src="http://feeds.feedburner.com/~ff/OBVIOUS?d=I9og5sOYxJI" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/ZZl9bNXRheI" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/arxvis/2012/05/marlene-dumas-ver-e-uma-forma-de-pensar.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Como as nossas mães]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/mS95W_JWpTw/como-as-nossas-maes.html" />
				<id>tag:obviousmag.org,2012://243.1587</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Felipe da Matta</name>
					<uri>http://lounge.obviousmag.org/radiofome/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/radiofome/2012/05/como-as-nossas-maes.html"&gt;&lt;img src="http://lounge.obviousmag.org/radiofome/assets_c/2012/05/7159422776_376ede3ab8-thumb-400x400-13290.jpg" title="Como as nossas mães"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Maria Rita criou um show para homenagear Elis Regina. De quebra, ensinou a não ter vergonha ou receio de dizer “eu te amo, mãe”.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/radiofome/2012/05/como-as-nossas-maes.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/mS95W_JWpTw" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/radiofome/2012/05/como-as-nossas-maes.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Je veux voir (2008).]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/666_hvAhwio/je-veux-voir-2008.html" />
				<id>tag:obviousmag.org,2012://164.1588</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>M. ▲</name>
					<uri>http://lounge.obviousmag.org/complexxos/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/complexxos/2012/05/je-veux-voir-2008.html"&gt;&lt;img src="http://lounge.obviousmag.org/complexxos/assets_c/2012/03/je-veux-voir-i-want-to-see-18-g-thumb-400x400-8471.jpg" title="Je veux voir (2008)."&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A realidade está ai. Cabe o próprio cinema exercer a sua função e, para que isso ocorra, o uso de técnicas é bastante primordial. Principalmente se a proposta é de aproximação, ou seja, entre obra e espectador. O longa-documental Je veux voir detém dessas importantes técnicas de aproximação. A sensação que se tem, é de estarmos fazendo parte daquele “universo”, mesmo que tenhamos um determinado representante. O contexto apresentado se [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/complexxos/2012/05/je-veux-voir-2008.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/666_hvAhwio" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/complexxos/2012/05/je-veux-voir-2008.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Zoo Caricatonns]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/K28paXZ7qf4/zoo-caricatonns.html" />
				<id>tag:obviousmag.org,2012://155.1591</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Hermann Vherner</name>
					<uri>http://lounge.obviousmag.org/imaginariun/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/imaginariun/2012/05/zoo-caricatonns.html"&gt;&lt;img src="http://lounge.obviousmag.org/imaginariun/assets_c/2012/05/00.Panthera%20tigris-thumb-400x400-13298.jpg" title="Zoo Caricatonns"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Os animais do Green Humor&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/imaginariun/2012/05/zoo-caricatonns.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/K28paXZ7qf4" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/imaginariun/2012/05/zoo-caricatonns.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Quando a arquitetura vira ambiente]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/s2Er9h_qZL4/quando-a-arquitetura-vira-ambiente.html" />
				<id>tag:obviousmag.org,2012://191.1592</id>
				<published>2012-05-12T20:50:59Z</published>
   	 		<updated>2012-05-12T20:50:59Z</updated>
   	 		<author>
	   	     		<name>Mariana Martins</name>
					<uri>http://lounge.obviousmag.org/risco/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/risco/2012/05/quando-a-arquitetura-vira-ambiente.html"&gt;&lt;img src="http://lounge.obviousmag.org/risco/assets_c/2012/05/DSC_0988-thumb-400x400-13319.jpg" title="Quando a arquitetura vira ambiente"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O que é a arquitetura do lugar? Três exemplos para você compreender como ambiente e arquitetura podem ser a mesma coisa.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/risco/2012/05/quando-a-arquitetura-vira-ambiente.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/s2Er9h_qZL4" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/risco/2012/05/quando-a-arquitetura-vira-ambiente.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[A arte em vidro]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/S3uFxLGabYI/a-arte-em-vidro.html" />
				<id>tag:obviousmag.org,2012://27.1585</id>
				<published>2012-05-11T19:40:55Z</published>
   	 		<updated>2012-05-11T19:40:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/a-arte-em-vidro.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/mikaaokisingingglass8-thumb-600x896-13285-thumb-300x300-13286.jpeg" title="A arte em vidro"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; O artista japonês Mika Aoki é apaixonado pelo vidro e, por isso, dedicou sua arte ao material. Em sua série de obras intitulada "Singing Glass", ele apresenta o vidro em sua solidez e fragilidade: formas complexas, e abstratas, além de criaturas de vidro encerradas dentro de recipientes transparentes compõem sua arte. O artista afirma que sua produção artística é como experimentos de laboratórios. Ele também trabalha com o gelo, [...]&lt;/p&gt;
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/S3uFxLGabYI" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/sphere/2012/05/a-arte-em-vidro.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[MATRIOSKAS]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/05JSyTgzMvs/matrioskas.html" />
				<id>tag:obviousmag.org,2012://242.1581</id>
				<published>2012-05-11T16:40:54Z</published>
   	 		<updated>2012-05-11T16:40:54Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/matrioskas.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/matrioskas%20para%20design%20em%20lisboa%20e%20the%20lisbon%20stores%20%281%29-thumb-400x400-13240.jpg" title="MATRIOSKAS"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Um não basta na Matrioskas O nome Matrioskas surgiu da ideia de adequar uma resposta ao tamanho de uma necessidade, afectar os recursos humanos e os materiais necessários ao desenvolvimento de um projecto. O ano de 2009 ficou marcado pelo lançamento da primeira colecção de mobiliário da Matrioskas, na Tent London, integrado no festival 100% Design, a convite da Portugal Brands. E um ano mais tarde, a colecção cresceu de [...]&lt;/p&gt;
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/05JSyTgzMvs" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/the_lisbon_stores/2012/05/matrioskas.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Vinte ou mais homens no leito da mesma mulher (ou a vida sexual das plantas) ]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/3LbE3QoxgeI/vinte_ou_mais_homens_no_leito_da_mesma_mulher_ou_a_vida_sexual_das_plantas.html" />
				<id>tag:obviousmag.org,2012://2.5437</id>
				<published>2012-05-11T13:30:55Z</published>
   	 		<updated>2012-05-11T13:30:55Z</updated>
   	 		<author>
	   	     		<name>tajana</name>
					<uri>http://obviousmag.org/archives/colaboradores/tajana/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/vinte_ou_mais_homens_no_leito_da_mesma_mulher_ou_a_vida_sexual_das_plantas.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/11/00_flor_Andre_Karwath_00.jpg" title="Vinte ou mais homens no leito da mesma mulher (ou a vida sexual das plantas) "&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O mesmo homem que dedicou a vida a organizar e a dar nomes ao mundo natural escreveu sobre a reprodução das plantas com um lirismo terno e ingénuo. Mais uma motivo para admirarmos o naturalista sueco Lineu - Carl Linnaeus, no seu nome original.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/vinte_ou_mais_homens_no_leito_da_mesma_mulher_ou_a_vida_sexual_das_plantas.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2008/10/arvores_da_ilha.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2008/10/arvores_da_ilha_140x105.jpg" title="Árvores da ilha da felicidade" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/06/esculturas_vivas_de_robert_cannon.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/06/esculturas_vivas_de_robert_cannon_140x105.jpg" title="Esculturas vivas de Robert Cannon" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/04/genetica_-_a_puberdade_das_plantas.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/04/genetica_-_a_puberdade_das_plantas_140x105.jpg" title="Genética - a puberdade das plantas" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/11/ofereca-lhe_flores.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/11/ofereca-lhe_flores_140x105.jpg" title="Ofereça-lhe flores... e o vaso também" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2008/10/arvores_da_ilha.html" title="Clique para ler este artigo" &gt;Árvores da ilha da felicidade&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/06/esculturas_vivas_de_robert_cannon.html" title="Clique para ler este artigo" &gt;Esculturas vivas de Robert Cannon&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/04/genetica_-_a_puberdade_das_plantas.html" title="Clique para ler este artigo" &gt;Genética - a puberdade das plantas&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/11/ofereca-lhe_flores.html" title="Clique para ler este artigo" &gt;Ofereça-lhe flores... e o vaso também&lt;/a&gt;&lt;br /&gt;
		
				
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			<feedburner:origLink>http://obviousmag.org/archives/2012/05/vinte_ou_mais_homens_no_leito_da_mesma_mulher_ou_a_vida_sexual_das_plantas.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Um resort para leitores]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/Kd91oRXITIo/um-resort-para-leitores.html" />
				<id>tag:obviousmag.org,2012://87.1578</id>
				<published>2012-05-11T13:00:55Z</published>
   	 		<updated>2012-05-11T13:00:55Z</updated>
   	 		<author>
	   	     		<name>Victor Silveira</name>
					<uri>http://lounge.obviousmag.org/embriaguez_artistica/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/um-resort-para-leitores.html"&gt;&lt;img src="http://lounge.obviousmag.org/embriaguez_artistica/assets_c/2012/05/2044p_9lrg-thumb-400x400-13197.jpg" title="Um resort para leitores"&gt;&lt;/a&gt;&lt;br /&gt;
					E de onde surgiu a inspiração para esta Disneylândia dos leitores? O projeto teve início quando seu idealizador percebeu que a atividade que as pessoas mais praticam nas férias, especialmente quando estão na praia, é ler.(Acredito que no Brasil esta não seja a principal atividade das férias, muito menos das praias. Infelizmente)

				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/um-resort-para-leitores.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/embriaguez_artistica/2012/05/um-resort-para-leitores.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Mogwai: música para abrir os olhos da alma]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/5G2S6TcLr4c/mogwai-musica-para-abrir-os-olhos-da-alma.html" />
				<id>tag:obviousmag.org,2012://71.1579</id>
				<published>2012-05-11T13:00:55Z</published>
   	 		<updated>2012-05-11T13:00:55Z</updated>
   	 		<author>
	   	     		<name>Mariana Keller</name>
					<uri>http://lounge.obviousmag.org/memorias_do_subsolo/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/memorias_do_subsolo/2012/05/mogwai-musica-para-abrir-os-olhos-da-alma.html"&gt;&lt;img src="http://lounge.obviousmag.org/memorias_do_subsolo/assets_c/2012/05/mogwai%202-thumb-400x400-13228.jpg" title="Mogwai: música para abrir os olhos da alma"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A banda escocesa é dona de um dos sons mais expressivos do post-rock.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/memorias_do_subsolo/2012/05/mogwai-musica-para-abrir-os-olhos-da-alma.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[GONÇALO CAMPOS]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/FnTF7vnlUb0/goncalo-campos.html" />
				<id>tag:obviousmag.org,2012://242.1580</id>
				<published>2012-05-11T13:00:55Z</published>
   	 		<updated>2012-05-11T13:00:55Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/goncalo-campos.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/Show-me-FLOR-thumb-400x400-13234.jpg" title="GONÇALO CAMPOS"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A identidade do objecto para Gonçalo Campos O último trabalho de Gonçalo Campos denomina-se Candeeiros Placa, e são simplesmente candeeiros montados numa placa de madeira. Parece algo simples mas o impacto que cria é forte. Para além de criar um palco privilegiado para expôr outras peças de interesse, ainda oferece espaço para que se crie uma relação entre os variados elementos, para além de desenvolver um cenário. Os candeeiros apontam [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/goncalo-campos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Rhythm Is a Dancer (e os maiores hits de 1992) ]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/9gCka6CmDec/rhythm-is-a-dancer-e-os-maiores-hits-de-1992.html" />
				<id>tag:obviousmag.org,2012://205.1575</id>
				<published>2012-05-10T22:30:55Z</published>
   	 		<updated>2012-05-10T22:30:55Z</updated>
   	 		<author>
	   	     		<name>Christian Costa</name>
					<uri>http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/autor</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/2012/05/rhythm-is-a-dancer-e-os-maiores-hits-de-1992.html"&gt;&lt;img src="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/assets_c/2012/05/snap%20capa-thumb-400x400-13192.jpg" title="Rhythm Is a Dancer (e os maiores hits de 1992) "&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Há duas décadas, o eurodance era febre mundial. Ainda assim, apenas uma canção do gênero (Rhythm is a Dancer) chegou ao topo das paradas em muitos países naquele ano, consolidando-se como um dos cinco maiores sucessos mundiais de 1992. Leia sobre essa música e as composições de rock e R&amp;B que fizeram companhia a ela.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/2012/05/rhythm-is-a-dancer-e-os-maiores-hits-de-1992.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Palácios do mundo]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/TM7PXajpf00/palacios_do_mundo.html" />
				<id>tag:obviousmag.org,2012://2.5420</id>
				<published>2012-05-10T18:10:56Z</published>
   	 		<updated>2012-05-10T18:10:56Z</updated>
   	 		<author>
	   	     		<name>diana ribeiro</name>
					<uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/palacios_do_mundo.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/10/00_Blenheim_Palace_panorama_de_Magnus_Manske_00" title="Palácios do mundo"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A arquitectura edificada ao longo dos séculos permite-nos conhecer melhor a nossa história. Os palácios por exemplo, reflectem tradições e estilos de vida de épocas distintas, simbolizam reinados e guerras travadas, e contam sobretudo histórias de como e quem somos. Fizemos uma rápida volta ao mundo e seleccionamos alguns destes maravilhosos edifícios - que pode até usar como um próximo roteiro cultural.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/palacios_do_mundo.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2012/04/o_pritzker_2012_wang_shu.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2012/04/o_pritzker_2012_wang_shu_140x105.jpg" title="O "Pritzker 2012": Wang shu" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2011/04/eduardo_souto_moura_os_sonhos_inventam-se.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/04/eduardo_souto_moura_os_sonhos_inventam-se_140x105.jpg" title="Eduardo Souto Moura: os sonhos inventam-se." border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2011/04/hearst_tower_o_primeiro_arranha_ceus_comercial_e_sustentavel_de_new_york.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/04/hearst_tower_o_primeiro_arranha_ceus_comercial_e_sustentavel_de_new_york_140x105.jpg" title="Hearst Tower: o primeiro arranha-céus "verde" de New York" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/10/postech_marine_sciences_campus.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/10/postech_marine_sciences_campus_140x105.jpg" title="POSTECH Marine Sciences Campus" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2012/04/o_pritzker_2012_wang_shu.html" title="Clique para ler este artigo" &gt;O "Pritzker 2012": Wang shu&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2011/04/eduardo_souto_moura_os_sonhos_inventam-se.html" title="Clique para ler este artigo" &gt;Eduardo Souto Moura: os sonhos inventam-se.&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2011/04/hearst_tower_o_primeiro_arranha_ceus_comercial_e_sustentavel_de_new_york.html" title="Clique para ler este artigo" &gt;Hearst Tower: o primeiro arranha-céus "verde" de New York&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/10/postech_marine_sciences_campus.html" title="Clique para ler este artigo" &gt;POSTECH Marine Sciences Campus&lt;/a&gt;&lt;br /&gt;
		
				
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			<feedburner:origLink>http://obviousmag.org/archives/2012/05/palacios_do_mundo.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Antonin Kratochvil]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/SZhLEkl4OHw/antonin-kratochvil.html" />
				<id>tag:obviousmag.org,2012://183.1560</id>
				<published>2012-05-10T15:00:56Z</published>
   	 		<updated>2012-05-10T15:00:56Z</updated>
   	 		<author>
	   	     		<name>Caio Proença</name>
					<uri>http://lounge.obviousmag.org/olhar_sociocultural/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/olhar_sociocultural/2012/05/antonin-kratochvil.html"&gt;&lt;img src="http://lounge.obviousmag.org/olhar_sociocultural/assets_c/2012/05/DeWaal600x290ed-thumb-400x400-12990.jpg" title="Antonin Kratochvil"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Fotógrafo Tcheco. Presente em situações de guerra, de fama, de melancolia e alegria. Renomado internacionalmente, é um fotógrafo influenciado e referenciado pelos maiores fotógrafos da atualidade.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/olhar_sociocultural/2012/05/antonin-kratochvil.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Você gosta do Instagram?]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/-qDf-fWZbdM/voce-gosta-do-instagram.html" />
				<id>tag:obviousmag.org,2012://227.1561</id>
				<published>2012-05-10T15:00:56Z</published>
   	 		<updated>2012-05-10T15:00:56Z</updated>
   	 		<author>
	   	     		<name>Fernando Triff</name>
					<uri>http://lounge.obviousmag.org/trenda_hipsta_cult/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/trenda_hipsta_cult/2012/05/voce-gosta-do-instagram.html"&gt;&lt;img src="http://lounge.obviousmag.org/trenda_hipsta_cult/assets_c/2012/05/03_Socialmatic_12-thumb-400x400-12988.jpg" title="Você gosta do Instagram?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;imagine uma super câmera! &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/trenda_hipsta_cult/2012/05/voce-gosta-do-instagram.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Dave Gahan (e outros cinco roqueiros com sete vidas)]]></title>
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				<id>tag:obviousmag.org,2012://205.1556</id>
				<published>2012-05-10T15:00:56Z</published>
   	 		<updated>2012-05-10T15:00:56Z</updated>
   	 		<author>
	   	     		<name>Christian Costa</name>
					<uri>http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/autor</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/2012/05/dave-gahan-e-outros-cinco-roqueiros-com-sete-vidas.html"&gt;&lt;img src="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/assets_c/2012/05/Dave%20Gahan-thumb-400x400-12970.jpg" title="Dave Gahan (e outros cinco roqueiros com sete vidas)"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O vocalista do Depeche Mode chega aos 50 anos acumulando vários momentos de muita sorte. Fosse por tentativa de suicídio, overdose, parada cardíaca ou tumor maligno, ele esteve muito próximo de não voltar mais à tona. Alguns roqueiros parecem ter sete vidas mesmo. Conheça outros cinco que estiveram na corda bamba - mas continuam vivos e quebrando tudo.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/gotas_de_chumbo_num_patibulo/2012/05/dave-gahan-e-outros-cinco-roqueiros-com-sete-vidas.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Big Moon + Trash the Dress]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/0xN5i4uEFEI/big-moon-trash-the-dress.html" />
				<id>tag:obviousmag.org,2012://87.1554</id>
				<published>2012-05-10T15:00:56Z</published>
   	 		<updated>2012-05-10T15:00:56Z</updated>
   	 		<author>
	   	     		<name>Victor Silveira</name>
					<uri>http://lounge.obviousmag.org/embriaguez_artistica/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/big-moon-trash-the-dress.html"&gt;&lt;img src="http://lounge.obviousmag.org/embriaguez_artistica/assets_c/2012/05/blog%204-thumb-400x400-12947.jpg" title="Big Moon + Trash the Dress"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A super lua do dia 06 de maio de 2012, acompanhada da beleza estonteante do litoral catarinense serviram de plano de fundo para o ensaio Trash the Dress que arrancou suspiros de muitos. Amor, praia e lua.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/big-moon-trash-the-dress.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Bicicloteca - para que serve um livro?]]></title>
				<link rel="alternate" type="text/html" href="http://feed.obviousmag.org/~r/OBVIOUS/~3/R6CPeUEfloI/bicicloteca---para-que-serve-um-livro.html" />
				<id>tag:obviousmag.org,2012://176.1553</id>
				<published>2012-05-10T15:00:56Z</published>
   	 		<updated>2012-05-10T15:00:56Z</updated>
   	 		<author>
	   	     		<name>Eli Boscatto</name>
					<uri>http://lounge.obviousmag.org/por_tras_do_espelho/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/bicicloteca---para-que-serve-um-livro.html"&gt;&lt;img src="http://lounge.obviousmag.org/por_tras_do_espelho/assets_c/2012/05/Bicicloteca-thumb-400x400-12926.jpg" title="Bicicloteca - para que serve um livro?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Para que serve um livro?  Educar, distrair, passar o tempo?  Tem os livros que te fazem sonhar e aqueles que te dão uma sacudida e te tiram da apatia, te obrigando a pensar. Mas, para que serve um livro para quem perdeu tudo?&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/bicicloteca---para-que-serve-um-livro.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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